Our
best-selling Relative Pitch Ear Training SuperCourse is for ALL Keyboardists,
ALL Guitarists
, ALL Vocalists, and ALL Musicians of ALL Instruments.
For all beginners, advanced players, and pros. No music reading skills required.



 

 

 

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Relative Pitch
Success Stories

Yes, Burge's Relative Pitch CDs work.

     Countless musicians around the globe have already gained a professional ear for music -- just by listening to CDs from the Relative Pitch Ear Training SuperCourse by David Lucas Burge.

     Our courses are now used at hundreds of colleges, universities, high schools and music schools worldwide.

     Here is a brief sampling of actual letters we have received over the years from musicians of all instruments and all styles -- from classical to pop, from jazz to country to rock . . .


Page 1  |  Page 2  |  Page 3
Jazz Times Review

After a few lessons, I picked up Stevie Wonder's “Superstition" in under 5 minutes. I play guitar and keyboards and now want to form my own band. I can't believe that I had quit playing because I couldn't read music . . . now I don't even need sheet music anymore. (F.O., New York City)

My ear and imagination have been opened and expanded beyond words. My ear feels more refined after completing the course. I am a much better musician today! (A.A., Florissant, Michigan)

I played the Relative Pitch Lesson 1 CD in my car while driving to work and back. It gave me more in that one CD than many other media I have used to educate myself about music. Learning to understand chord structure and the relationship of notes is important to me. (P.A., guitar/piano/trumpet, Lighthouse Point, FL)

I've seen many audiotapes, videotapes, books, but the Relative Pitch Ear Training SuperCourse is the best I've seen. It's unbelievable. (P.A., guitar, Heemskerk, Holland)

It is truly amazing how many doors have opened since I began your ear training courses. Both have been a lot of fun. (S.H., Wilmington, DE)

It's a real thrill to be able to take music out of my head. Working NATURALLY is the best way to master the art of aural perception. Thank you so very much! (A.W., Buffalo, New York)

Dear Mr. Burge: I recently graduated your Relative Pitch Ear Training SuperCourse. I am a professional flutist who also learned Perfect Pitch. Thank you for such thorough training! It far exceeds my college training. (C.A., Rochester, MN)

I enjoyed every minute of it. Your lessons are so workable and I am so so grateful. (E.P., Grand Forks, British Columbia)

I have proudly completed the Relative Pitch Ear Training SuperCourse and thank you for a brilliant performance in teaching it. I took the entire course while driving up and down the Hollywood freeway. Your course has opened up my hearing and given me incredible ammunition against writer's block (I compose film music for a living).
     It was a pleasant surprise to hear and recognize chords which I had actually written without knowing at the time exactly what they were. What a revelation this has been! I recommend your work to anyone interested in developing a professional ear towards music. (K.R., composer, Universal City, California)

Mr. Burge: I'd like to congratulate you for the best ear training course there is. The way you organized your course and the attitude of easiness . . . you know what I need. You can have the greatest music going through your head and it is not going to get you anywhere if you can't project it on the instrument. (R.A., Coamo, Puerto Rico)

As an improviser, working with your course has given my playing a maturity that I may not have achieved as quickly without doing the course. (D.W., electronic keyboards, Ojai, California)

I learned more with these CDs than taking music lessons! (D.A., Germantown, Tennessee)

Message to Mr. Burge: You are a screaming GENIUS! (C.H., La Quinta, California)

Dear Mr. Burge: Hi, I am a 22-year old bass player. I have completed the Relative Pitch Ear Training SuperCourse for the second time. I would like to say thank you for helping me really hear what music is all about. (D.D., Minneapolis, Minnesota)

I'm no spring chicken. Turned 70 last March. Have been playing piano since my teenage years and am now studying music and playing. I plan on doing the same until the day I no longer wake up . . . at least another 20 years or so!
     I finished my
Relative Pitch Ear Training SuperCourse today, August 24. It really opened up new areas for me, and my hearing and my playing have immensely improved. From hearing your voice on these tapes for such a long time, you are almost one of the family. Keep up the good work. You are really thorough and an excellent teacher. Yours truly, D.C. (piano, Winnetka, California)

Dear Mr. Burge: Prior to starting your course, I was a scholarship winning guitar student at the Australian Institute of Music (Australia's equivalent to Berklee), but, primarily due to your course, I am now about to start a composition major, B. Music. I graduated your Relative Pitch Ear Training SuperCourse yesterday and would personally like to thank you -- I am enjoying life and music to a degree greater than I previously thought possible. (L.D., Hornsby, Australia)

I have gained so much knowledge that I am very proud and happy. It is a wonderful course. (M.U., Los Angeles, California)

I'm sure the training will be with me the rest of my musical life. (R.D., Solona Beach, California)

Mr. Burge: In a nutshell, you have changed my life. You have given me knowledge which I never thought I could have nor even thought I needed. Your course covers a phenomenal amount of material in very logical manner and gives the participant the desired result: established Relative Pitch.
     I would like to enumerate four “gifts" which I have received as a direct result of this course:
     1) A thorough understanding of intervals. This was really the main reason why I took this course. One great side benefit which I am extremely pleased with is the ability to write down music from my head. I never would have anticipated that I could do this, but thanks to you, I can.
     2) A new way of listening to music. I now hear music in a totally new and satisfying way. Intervals jump out at me which I can readily identify. I hear chord inversions and scale degrees. My experience of music has become enriched as a result. This type of insight could never have happened without your course.
     3) An understanding of chord quality and structure -- how chords are used to support a piece of music. This is helpful for my playing and has made me decide that I want to compose music. I now have the confidence that I can sufficiently understand the way music is put together so I can create my own special version. This is the most exciting musical development for me. I will be forever grateful to you and the
Relative Pitch Ear Training SuperCourse for having put me on this path.
     4) Your course has shown me that an individual is capable of learning any skill they desire as long as they adopt their own pace and stay with the learning process.
     I hope that you can now understand why I said in the beginning of this letter that you have changed my life. Thanks again for my “gifts." (J.G., Whitehouse Station, New Jersey)

Dear Friend David-Lucas: Let me call you that way because after many hours working "together" we have become good friends. I can feel that you really love your job and that's what really encouraged me to refine my ear. I play guitar for 20 years and I've been always using my ear a lot. After I finished the Relative Pitch Ear Training SuperCourse, I'm more conscious now of what I hear so I can enjoy even more the music. The more we hear, the more we feel. Thank you very much, David-Lucas. (E.B., Barcelona, Spain)

Read more notes from musicians:
Page 1  |  Page 2  |  Page 3
Jazz Times Review


These are letters from real people -- LIKE YOU -- in over 120 countries. Do you suppose they had some special ability that you don't have?

     With David-Lucas as your guide, we know that YOU can do it, too.

     That's why we GUARANTEE that you too will understand and speak the language of music -- with just 41 Power Lessons . . .

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